Etcetera – Steam Down ft. Afronaut Zu

Here is the song.

A potent musical idea expressed by Wayne Shorter on his 1965 record etcetera has been decoded in 2020 by Steam Down and Afronaut Zu for this epic Blue Note Re:imagined album. A new layer of complexity has been emitted by this Afrofuturist orchestra. The beginning even sounds like their own unique version of morse code. The overall song maintains the original’s sense of the otherworldly, yet Steam Down take us in a bold new direction.

“Let go of the nonsense, all that you hear, yes you know them, the echoes in your ear

An unprotected computer doesn’t last half an hour before it subjected to a barrage of malware and cyber-attacks. So what makes us humans think we can survive the media onslaught in an age of personalised fake news stories delivered by state-sponsored Artificial Intelligence bots that are smarter than us?

In this way, this song is like a major anthropomorphic defrag as we cast aside all of the nonsense redundant files that we are accumulating. We need to return to and rely on our own internal resources to ‘Steam Down’. We are also given a living example of how to achieve this by listening to the lyrics, phrasings and ad-lib expressions of Afronaut Zu, who delivers a fully committed performance.

The band produces a profoundly deep and immersive sound. There is great balance in the way it’s different components fit together as an ensemble and temporally within the song as the energy rises towards its crescendo and falls again.

As a final thought, this song encourages us not to live in etceteras. That each day we should have at least one moment, experience or thought that defies easy categorisation. Something that provides that same feeling of otherworldliness as the chorus, which reminds us that we are not machines.

Movie – Brasstracks & Ady Suleiman

This is the song.

The pursuit of fame and status symbols is nothing new in human history, but social media has seriously upped the ante. Never before has the line between being considered a ‘someone’, and its opposite, been as harsh, uncertain, arbitrary and ultimately meaningless as it is today. Yet the effects of fame and status have also never had such a huge payoff, even to YouTube one-hit wonders. In a global economy, the promise of ‘access to everything’ is now viscerally and seductively within reach (even before the impact of Augmented Reality takes full effect).

The song develops from a daydream that almost all of us have had whilst working on the metaphorical ‘night shift’.

“I want a movie, where I’m the lead and you’re supporting me”

The average person sees thousands of movies in their lifetime. This has subconsciously made us connoisseurs of plot, genre, character development and other more sophisticated storytelling techniques. But this has had unintended consequences. In our real lives, even when we see a disaster developing or a tragedy unfolding, we choose to remain anchored to the imagined script we have developing in our heads, such that we would rather see the tragedy through to the end to confirm our storytelling instincts, than change the tragic ending for a better one. We prefer our protagonists reach the bottom of their narrative arc before they discover their hard-earned truth. We prefer life to imitate art.

The composition of this track (the whole album even) is unique and outstanding. Suleiman’s vocals give the lyrics the urgency they deserve. The percussion also creates a kind of unnatural, frenetic pace that would suit the lifestyle the singer is pursuing. And Brasstracks’ time their high-energy emotive accompaniment just right.